Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
David Bowie has always been a wild card to me. I've always thought of it as Phish's own Dark Star. When I wrote my fantasy setlists for Woosta '12, Bowie was in the second song second set placement (FWIW: Set II: Curtain With -> Bowie -> Piper -> Mist, La Grange -> Walk Away -> Slave E: Julius, Show of Life). I too have been craving a truly exploratory Bowie. And there's not a damn thing wrong with that. Many great comments here about other/newer great jamming vehicles. That is great, I love those all as well. I happen to agree with the @Dog Faced Boy 's sentiment ... that it is high time that we get to experience David Bowie in all it's glory through a modern lens. That's not living in the past, that's wanting a new experience with an old friend.